In music, form is sometimes so intimately connected to experience as to speak meaning more compellingly than any word could. On After the Town was Swept Away, out September 5th on Leaving Records, BlankFor.ms, aka Tyler Gilmore, finds in rhythm a new vocabulary of self-collection. Confronting both grief and joy, its twelve tracks of tape loop manipulation festoon and murmur â the imperfect cyclicality of tape itself at once a metaphor for the recordâs meditations on time, and the actual physical support shaping its sounds.
Composed in the aftermath of two quickly succeeding life-changing events for the artist â the birth of his first child, Ellis, in November 2023, and the loss of his mother after a two-year battle with cancer in January 2024 â, the sounds of After the Town was Swept Away were born of unmaking and remaking. The composition process was mostly one of revision: early drum machine sketches were emptied out and degraded, whole songs restructured, tape loops stacked to digest a complex rhythmical biography. Rooted in early experiences in jazz and a long-held love of house and drum & bass, BlankFor.msâ beat allegiances surface in ways that are never obvious, a vehicle for reinterpreting oneâs times anew.
Commanding such an articulate rhythmical language, the music of After the Town was Swept Away speaks thus in intense, affectionate, at times uneasy tones. We feel this deeply on lead single "Formed by the Slide". Against the offbeat loops of quietly loose, layered held-tone vocals â by composer, vocalist and friend of the artist, Ella Joy Meir â, rhythm emerges in noisier surges as if answering their achingly beautiful call. It is the sound of experience in its barest form: when life speaks, we respond as we can.
After The Town Was Swept Away was born from love â not just in tender musing, but through actual, felt communion. This is true, for example, of the triptych titled after Kinship, the Highland Park yoga studio where, in 2024, experimentalist Colloboh hosted BlankFor.ms for an impromptu performance to a routine by yogi Meg Shoemaker, from which the three tracks were assembled. But the influence of others â both musical, as with jazz drummer Marcus Gilmore and pianist Jason Moran, with whom BlankFor.ms recently released a collaborative album, and more intimately personal â is felt throughout the whole record, bound together in rhythm.
Could it be otherwise? Tape loops have a way of preserving and altering the past at once, marking and unmarking sounds and their sources. The beats on After the Town was Swept Away â pensively yet felicitously â come to terms with just that, their rethreaded rhythms